The Greenlease Gallery at Rockhurst University recently premiered “Opulent Decay,” an exhibit capturing everyday objects through the lens of deterioration, conveying the fleeting nature of life. The art is on display from Feb. 6 to May 11, 2025, showcasing the atmospheric work of Elise Gagliardi.
Upon entry, attendees are greeted with framed, still-life photographs of subjects like flowers, fruits and vegetables. However, these are not ordinary stills.
The decay captured in each piece presents an image of fading youthfulness. Gagliardi’s works capture a collage of vibrant colors met with wilting on the edges of leaves or mold on the surface of orange peels. In some pieces, animal skulls of beavers and chickens rest in the background, further instilling a human connection into her art.
A staple of the gallery, “Nesting,” is reminiscent of the works of 17th-century Dutch painter Rachel Ruysch. The vivid texture of the flowers and leaves and the saturated color palette immediately draw the viewer in. A small timepiece resting at the base of a nest represents an important motif throughout Gagliardi’s art: the passage of time.
“Denae Macabre,” one of the larger pieces in the exhibit, displays an assortment of flowers on a dazzling velvet cloth. The work references the Renaissance masterpiece, “The Dance of Death,” by Hans Holbein.
“Mother and Child in Three Parts” is a series of three photos showing the growth, prime and withering of the fauna. Gagliardi derived inspiration from “Madonna and Child” paintings present throughout the Renaissance period.
The artist’s skills do not cease at her distinct usage of objects and color, as her attention to detail through lighting adds depth to the objects. Each photo is lit through the dim warmth of candlelight or the sun softly radiating through a window.
In the corner of the exhibit is a projection of a time lapse of one of Gagliardi’s works, providing the viewer insight into the creative process of setting up a still and capturing the moving decay of flowers. By the end, the candlelight dies, the natural light fades and all that remains is the empty abyss of darkness.
Perhaps the most defining work of the showcase is the photograph “Opulent Decay.” The explosive array of elements, such as sunflowers and hedge apples, offers the most comprehensive realization of Gagliardi’s vision.
Dr. Poppy Di Candeloro, Director of the Center for Arts and Letters, implemented the gallery so the Rockhurst community could experience the meaning behind Gagliardi’s art.
“After meeting Elise about six years ago, I just kind of fell in love with her photography, primarily because it was connected to Dutch still life and the Vanitas themes. I also love the contrast of light and darkness,” said Di Candeloro.
Gagliardi’s art is her way of sustaining her family’s passion for storytelling. Her inspiration derives from nostalgic photographs, personal memories and her love of fantasy. The artist’s photographs are often described as “memorials” and express themes of relationships, motherhood, permanence and impermanence.
“In the face of global challenges such as climate change, political unrest, and ongoing conflicts, her photographs offer a quiet invitation to self-reflection,” Di Candeloro said. “Works like ‘Nesting’ make the viewer question whether her works are real or paintings.”
Gagliardi tows a line between fiction and reality, creating otherworldly reflections of the past and present.
“Her art challenged me to contemplate the temporary nature of life,” said junior Megan Lewis. “It really makes me think about how one day we will all die, so how we live and understand reality is important.”
The Greenlease Gallery is open to the public Thursday, Friday, Saturday and Sunday from 1-5 pm, and Di Candeloro encourages all students come see “Opulent Decay.”
“I want this to be a space for students to come and be still, unbound from the busy nature of life,” Di Candeloro said. “I hope they can appreciate the creativity and message behind Elise’s works.”
